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The Conversation Art Podcast

A podcast that goes behind the scenes and between the lines of the contemporary art worlds, through conversations with artists, dealers, curators, and collectors--based in Los Angeles, but reaching nationally and internationally.
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The Conversation Art Podcast
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Now displaying: Page 1
Dec 25, 2015
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Andrew Russeth of ArtNews talks about: the business model of art agent/dealer Stefan Simchowitz generally, and the lawsuit between Simchowitz and one of his charges - Ghanaian artist Ibrahim Mahama - in particular; another of Simchowitz's former charges, Oscar Murillo, and his relative value or lack thereof; the painter Joe Bradley (who along with Murillo appeared in MoMA's Forever Now), and how his work has managed to hold up; 100-year-old abstract painter Carmen Herrera, an artist who best represents why Russeth loves his job; up-and-coming artists whom Russeth is taking note of, including Annicka Yi, Jared Madere and Josh Kline; the greatness of artist David Hammons; the 'asshole artist' schtick of Richard Prince, and how as a critic, Russeth vacillates between covering the underdogs and otherwise under-exposed artists, and those in the biggest arenas whom he feels warrant coverage, sometimes in order to counterbalance their badness; and his love of sweets, his Instagram -ing of them, and the similarity between enjoying art and sweets. The Conversation's website: http://theconversationpod.com/ Please subscribe to The Conversation on iTunes, and leave a positive review: https://itunes.apple.com/us/podcast/conversation-artist-podcast/id481461646 The Conversation on Stitcher (the alternative to iTunes): http://www.stitcher.com/podcast/wwwstitchercompodcasttheconversation/the-conversation-art-podcast?refid=stpr The Conversation on Facebook: http://www.facebook.com/pages/The-Conversation-An-Artist-Podcast/254884424579431 http://instagram.com/artistpodcast Twitter: @artistpodcast Your support of the podcast is very much appreciated- donations can be made via the website, and help keep the show going.
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