Info

The Conversation Art Podcast

A podcast that goes behind the scenes and between the lines of the contemporary art worlds, through conversations with artists, dealers, curators, and collectors--based in Los Angeles, but reaching nationally and internationally.
RSS Feed
The Conversation Art Podcast
2024
November
October
September
August
July
June
May
April
February
January


2023
December
October
September
August
July
June
May
April
March
February
January


2022
December
November
October
September
August
July
June
May
April
March
February
January


2021
December
November
October
September
August
July
June
May
April
March
February
January


2020
December
November
October
September
August
July
June
May
April
March
February
January


2019
December
November
October
September
August
July
June
May
April
March
February
January


2018
December
November
October
September
August
July
June
May
April
March
February
January


2017
December
November
October
September
August
July
June
May
April
March
February
January


2016
December
November
October
September
August
July
June
May
April
March
February
January


2015
December
November
October
September
August
July
June
May
April
March
February
January


2014
December
November
October
September
August
July
June
May
April
March
February


2013
November
August
July
June
May
April
February
January


2012
December
November
October
August
July
June
May
April
March
February


All Episodes
Archives
Now displaying: November, 2019
Nov 23, 2019

Painter and Cal Poly San Luis Obispo professor Laura Krifka talks about:

How her work is at its core about seduction, built through scenarios of being seduced, and how she constructs each painting to both seduce, and, by revealing subtle (metaphorical) cracks in the foundation, she also plays with repulsion; the frank reactions she’s received from more non-Art World audiences about being a ‘weird lady’ for the things she paints; her process of working with models, whom she really enjoys collaborating with and often become friends, and the ‘violence’ that she feels she brings to their painted visages… she feels more comfortable using herself as a model for the more distorted and/or vulnerable characters; how she meets the tremendous adulation she’s been receiving for her fall 2019 show in Los Angeles with the steadfast belief that it won’t last…she always leaves the house expecting some sort of disaster (and yet on the flip side, she’s very grateful for everything she has--including a tenure-track professorship); how she’s always planned on having a side hustle, and still plans to even if her work completely blows up (let’s hold her to that).

Nov 9, 2019

Detroit-based artist, curator, Afrofuturist and former mayoral candidate Ingrid LaFleur talks about:

Running for mayor of Detroit- why she did and what she learned in the process; her platform of Universal Basic Income, combatting economic violence, and using block chain for a local currency; how and why she started using block chain—mainly to use as an alternative currency that she would like to see implemented into Detroit’s economy; and the Detroit art community: how it’s segregated, ideally the kind of acknowledgement she would like from the white male artists who move to the city (which is 85% African-American)…plus, she offers a thoughtful prescription to anyone (white artists in particular) who may be moving to the city, of how to do so mindfully and respectfully.

1