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The Conversation Art Podcast

A podcast that goes behind the scenes and between the lines of the contemporary art worlds, through conversations with artists, dealers, curators, and collectors--based in Los Angeles, but reaching nationally and internationally.
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Now displaying: November, 2022
Nov 25, 2022

Amsterdam-based artist Tjebbe Beekman talks about:

His show in New York at GRIMM gallery (which just opened when we spoke); his 9-year stint living in Berlin, before moving back to Amsterdam at the time his son was beginning school, and how he misses the big-city benefits of Berlin; the big turning point in his work and in his life, when in a span of less than a couple of years his mother died followed by his father’s tragic death in a boating accident, early on in a journey attempting to travel the world; how his father’s death was complicated by the slow to non-existent communication about what happened, and then the time it took to get his remains back, all of which led him to stop painting for half a year; how he re-engaged his artmaking by visiting friends at the Luceberthuis residency in the Netherlands, where he also found himself listening to a lot of John Coltrane, and between the music and getting in the heads of well-known painters, he got his mojo back; the influence the legendary painter Luc Tuymans had on him while doing a residency at the Rijksakademie; and how he’s thankful to make a living from his work, because even though the Netherlands offers lots of funding to artists, most artists who rely on it need to have 2nd jobs.

Nov 12, 2022

Joan Kee, University of Michigan art historian and current Ford Foundation Scholar in Residence at the Museum of Modern Art, talks about:

Her residency at MoMA, where she has been looking into expanding their programming to include art that is more international/not from the U.S., but from the ‘global majority;’ her career trajectory, from art history in undergrad to law school and then corporate lawyer for long enough to pay off her $100+K in debt, a calculation she was able to make partially due to her poker-playing experience); the obstacles she faced getting into a PhD art history program with her focus on modern and contemporary Korean art, and how she strongly believes that tuition for BA and MA programs are completely out of control (for out-of-state students at U. or Michigan, where she teaches, it’s currently 70K/year); her interest and expertise with emojis, including her repeated attempts to get a kimchi emoji approved by Unicode, the world text and emoji consortium (she also taught emojis in a graduate seminar); artists working in emojis, including Rachel Maclean, Laura Owens, John Baldessari and Antoine Catala, the latter whose work she calls the best emoji work she’s ever seen; the benefits and challenges of living in Detroit, and why she chose to live there instead of Ann Arbor, where she teaches; how she’s the first full professor of color in her department; how her book, “Contemporary Korean Art: Tansaekhwa and the Urgency of Method,” was turned down nine times before it was accepted by U. of Minnesota Press, and subsequently led to a show she curated at Blum & Poe in L.A.; and the state of the art scene in Seoul, including the challenges for younger/smaller galleries’ survival amidst a pricey real estate market that’s regularly gentrifying.

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