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The Conversation: an Artist Podcast

A podcast featuring both one-on-one and three-way roundtable conversations with contemporary artists, dealers, curators, and collectors--based in Los Angeles, but reaching nationally and internationally.
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The Conversation: an Artist Podcast
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Now displaying: October, 2017
Oct 21, 2017

Brooklyn-based artist Ellen Harvey talks about:

Her long tenure in the western part of Williamsburg, her experience of the slow but steady gentrification, and how she’s become permanently attached to her live/work loft through the Loft Law, which allows her affordable rent indefinitely; her British roots, which account for the fact that she “can’t pronounce her ‘R’s,” and the accent that has stayed with her even though she moved to Wisconsin at 14, and the pros and cons of having  a British accent in the U.S.; her start in public art doing micro murals (5”x7” paintings over graffiti in Highbridge Park), eventually evolving into larger and larger public projects, including her mural ‘Atlantis,’ a 1000 sq. foot mirrored glass piece slated for the Miami Beach Convention Center, the venue of Miami Basel; Ellen’s highly unusual prior career field as a Wall St. lawyer; and how her parents, despite her tremendous success, still wouldn’t mind if she returned to her law career.

Oct 7, 2017

Marin County-based photographer David Maisel talks about:

Moving out to Marin County from New York in the early ‘90s, where he and his wife have remained ever since; how transformative the experience of being in Marin County has been, and changed his life for the better, and meanwhile, how much the area has changed, having become obscenely expensive; his 10-year period going back and forth between architecture and photography before committing to the latter; how he first got into photographing from the sky (via plane and helicopter) via his mentor Emmet Gowin, whom he assisted on a shoot above Mount St. Helens, and how he got hooked from those first Cesna flights, particularly by the “threatening” (stomach-in-your-throat) aspects of the experience; how he grappled with and came to reconcile with the environmental consequences of making his work – from the fuel used for flight shoots all the way through the ink the prints are printed on – as a necessary complicity to being a picture-maker, and how he came to recognize that ultimately, we can’t remain completely pure.

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