Gabrielle de la Puente, half of the art critic duo The White Pube, talks about:
A few things people outside of the UK need to know about Liverpool, where she’s based; the origin story of the White Pube, when Gabrielle and Zarina were in art school together; the reputation of Central Saint Martins, the art school where they met, including where it was when they started school, which was already in a more gentrified, corporate atmosphere (they had to use key cards to get into the studios, for example); their working dynamic since their collaboration started, which involved more in-person activity early on when they were regularly in demand to talk about criticism at various art schools (because of how different they were from the clichés of an art critic), to now being more consistently using WhatsApp and ‘flying by the seat of our pants;’ how key it is that they post about culture-at-large, not just art (their film restaurant reviews have been their most read); her solo visit to a special preview of a Peter Doig show in Edinburgh that had a tragic quality to it, but also became a great symbol for the artist’s struggle; their book, Poor Artists, including how they wrote it with both readers as well as subjects who they interviewed (and paid), including a moment in the book when the narrator talks about their experience of a performance in a gallery; and the case of the late artist, Nat Tate.
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