In my penultimate conversation with sociologist Hannah Wohl (author of Bound by Creativity) she talks about: the cynicism of sociologists, particularly when theorizing about art (and in relation to the sculptor St. Clair Cemin in particular); the emergence of the artist Ginny Casey, through her show at Half Gallery; how she describes her own contemporary art sensibility (like most of us: with difficulty), including her appreciation of Wong Ping’s show at the New Museum, and in turn demonstrates the challenges of talking, and writing about art, even for a sociologist who’s written a book about contemporary art; and she begins recounting her experience ‘playing’ a gallery assistant at an art fair (as an unpaid volunteer) for the purpose of her sociological research).