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Brooklyn artist, former hardcore-band singer, and recurring figure in Bianca Bosker’s ‘Get the Picture’), Liz Ainslie talks about: singing in the scream-core band Give Up while she was in college, including how she was able to maintain her vocal cords, and eventually crossing the divide in choosing between music and art; how she moved to Williamsburg, Brooklyn 20 years ago (eventually taking over the master lease of an artist loft after initially having several roommates), how the neighborhood has changed over the decades, and how and why so many of her artist peers have managed to remain in New York despite the high rents; how she’s currently organizing with her neighbors in the building to maintain the artist’s loft laws; how she and the artists in her community piece together income from various sources, only one of them being their artmaking, and how several successful artists in that community have stuck around (as opposed to moving upstate, for example) to both give back and to stay connected; her day job and how she’s able to work remotely, but still needs to find a coffee shop or other places to work away from her home; working for other artists, mainly in big Tribecca lofts, and the skills she learned, including the logistics of running professional artist studios; and how as an artist you should be very clear about everything from scheduling visits to respective responsibilities for artwork in your communications with fellow professionals.