Brooklyn and Berlin-based artist Nina Katchadourian talks about:
Her Boerum Hill, Brooklyn neighborhood, which though uber-gentrified is adjacent to an area that is far less so, and includes significant gunshot events; moving her studio from the basement of her house to a dedicated studio space which she and her co-tenants are owners/occupiers of, and what it’s like being a shared owner of the building; her now-second home of Berlin, where she and her husband lived over the summer and will live for a longer stint this winter into spring—what it’s like living there as an American and the various benefits of cross-cultural habitation and relocation; the sense of American-ness which has become heightened with her time in Berlin, and the sense of subjectivity that she in turn is educating her N.Y.U. students about, so they have a sense of how their own backgrounds inform their artistic consumption; her early project ‘Wanted,’ an ad for a tiny fictional apartment which was placed in the Village Voice and received over 100 answering messages, which became part of the installation; and her series ‘Animal Cross Dressing,’ in which she used pet snakes and pet rats; her On Hold Music Dance Party, a series of ongoing performance/parties; and, as a frequent flyer, coming to terms with her carbon footprint.
Co-owners Sara Maria Salamone and Tyler Lafreniere of MRS. Gallery in Queens, New York, talk about:
The origin behind MRS.’s concise and memorable name; what it’s been like running their gallery in the relatively off-the-beaten-path neighborhood of Maspeth,Queens, and how they get consistent traffic despite their location; their rising success at the start of their 2nd season with Genesis Belanger’s show; their slower-paced five shows per season schedule, which is both more manageable and potentially a model that other galleries are considering using as well; sales, and all the things that go into maintaining and growing them as a small, young gallery; why Sara loves art fairs (and Tyler enjoys them as well) and how important they are at this stage for the gallery’s business, since despite being in NYC, their Maspeth location limits turnout, which they make up for at the fairs (they’re doing NADA Miami this Dec.); the importance of social media, specifically Instagram, for their acquiring new collectors, several of whom are buying works virtually, unseen in person; and Sara’s level of connectivity (as the gallery “mama bear”), and to what extent she feels it’s healthy vs. necessary.